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Cake day: July 29th, 2023

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  • A lot of it comes down to genre, target audience, and writer’s personal experience. Even MC and DC are characters written decades ago. Batman is basically from the 1930s/40s.

    Compare that to last decade’s best selling YA novels. Hunger Games was constructed to be very balanced from the start including a female main lead, same for Percy Jackson.

    My hot take is that most of these instances are actually fine as is because Hollywood in general sucks total ass at writing new characters into existing franchises, especially for the exact purpose of introducing diversity without any depth.

    There’s literally a 3+ hour series on youtube of how bad the new star wars trilogy is, and a solid third of that rant is about how poorly written the female lead is.

    The issue here is that having an equal or majority female (or any other metric) set of characters wouldn’t automatically make your story or writing better. You have to develop each character just like the rest, otherwise you end up with inserts that have no purpose other than to equal out a fraction.

    Whether that is due to the writers being able to create male characters easier, or just a perceived audience target, you’d much rather have a well written character than a soulless one.

    And that is likely not even correlated with male vs female writers. So much so that some critics even believe female writers are better at writing male characters than male writers, which is funny to think about. Ex: Harry Potter is still a 2:1 ratio.

    Again though, there are plenty of good examples (mostly books) with very successful stories with equal or majority female characters.

    If it makes you feel any better, this argument is old as hell lol. You can find ye olde forum posts discussing the exact same things mentioned in this entire thread from as far back as early 2000s, with plenty of in text examples from books and screenplay.


    The general concencus though, is that if the characters are good, the plot is good, and the writing is good, no one really cares about the number because you’re absorbed into the story. Your attachment to the story is a direct reflection of your own personal identity. If you notice the lack of X whatever while reading/watching and it breaks your immersion, then it’s probably a viable critique of the writing. If it’s something you notice after outside the story, then it might not matter as much as you think.