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Cake day: February 16th, 2025

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  • See: Afghanistan, Iraq.

    America are the toddlers who have found father’s gun and decide to blast at anyone withholding sugar.

    The idea that the American military are competent enough to go after just the cartels is laughable. Not to mention the violation of Mexican sovereignty.

    Then you see what they did in Iraq, Afghanistan and Pakistan. Any boy over the age of 12 was considered a potential terrorist therefore a “military age male” and was thus fair game for special forces murder squads, air strikes, drone strikes, and was not needed to be included in the official statistics for civilian kills.

    In short the American military apparatus uses Terrorism as a green light to go for maximum overkill, regardless of the level of civilian kills and socio-economic impact. This in turn sustains the vast economic forces in defence contracting and makes a lot of political donors a lot of money.

    It also rids the US of thousands of low-income patriotic-but-stupid people who sign up to the military because they have few other career options. These would later cost the state money in Medicare but not if they get killed in action.

    War is primarily big business. Moral and legal factors take a back seat.












  • ohulancutash@feddit.uktoShows and TV@lemm.eeLandman
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    5 days ago

    I wasn’t particularly impressed by this one. 5/10. Agreed Thornton is the main reason to keep watching.

    Predictability

    This show exists to promote oil, access the flyover state audience, and to rehabilitate Paramount for the right-wing ahead of a major merger. As such, it is an old-fashioned show where boxes are to be ticked, not to be thought outside of.

    You have the brave workers in constant danger, you have the battered cowboy keeping it together, you have the Mexicans playing the role of drug dealers. You have the eye candy by the pool, and just the semblance that “if there was a better way we’d do it”. As if.

    So yes, the composition and lighting are pretty, the locations are different, and there’s plenty of scaffolding and machinery to pan slowly across while the music swells. But what do you actually leave with after an hour? Very little.

    Wafer-thin characters

    Billy-Bob is the dour fixer who knows the real way the world works. He delivers at least one lecture per episode about this, without contradiction or growth. A recurring theme is how oil will always be king, always.

    His daughter is, apparently, a tight little butt with a girl attached. Or that’s how every other character and the camera treat them. See the excruciating “comedy” bits with Billy-Bob’s roommate.

    His son is an oil worker. He reacts to situations, but doesn’t instigate them. He’s a passive character who only serves to justify the audience being told how Tab A fits into Slot B and why that’s important to make the oil come out.

    His ex-ex-wife exists to deliver Quippy innuendos. Curiously, she’s the only character who almost gets development, but that’s quickly swept away and forgotten about.

    The company owner is a businessman. He likes money. He owns a pool. He’s often at dinner with other businessmen. Or playing golf. Really breaking the mould here.

    The company lawyer is a predictable city-type woman, who is good at what they do (which is apparently still a shock to other characters because were essentially in an 80’s throwback show). She starts out rough but softens up because that’s original.