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No I don’t remember as I was not in a recording studio with Disturbed in 1999.
I remember that. Everyone else was there.
Such a shame you can’t do stuff like that anymore, too many people
back in 1999 the world population had barely tipped 6 billion so you could still fit everyone inside the recording studioAnd that’s the reason the studio time is so expensive, they’re so massive
Man. I was home, sick, that day.
This song was my first real exposure to “radio censorship”, was eye opening for me. The song is a metaphor for generational child abuse and a cry for help, fighting against the urge to descend into the same pattern themselves and breaking. and then the radio cut turned it into a damned anthem of violence removing the context.
There’s a handful of songs where I listen to the radio edit, and just wonder why they bothered.
Owfk The World, being the radio edit of ICP’s Fuck The World was unintentionally hilarious.
“In this song i say ‘owfk’ 93 times!” and “owfk Lyle Lovett, whoever the owfk that is!”
Go watch The Vengeful One. Not only is the song a banger by itself but the video is more pertinent to current events than ever.
Edit - Here. Saved you the trouble of finding it. - https://youtu.be/8nW-IPrzM1g
That video is bonkers
“The bright side of genocide”
No but I’d love to hear that audio.
There is a radio version and uncut version of the song.
The uncut version has some extra… vocals in the bridge which is what this post refers to.
Starts at about 3:26.
Starting at said time:
Seeing the aphex twin visuals with the disturbed music really threw me off until i realized someone had just mashed them up.
Like, why’d she have to be such a bitch?
